Scenic Art Resume

STOP MOTION Portland, OR 2021-2022

Landscape Artist for LAIKA Wildwood Travis Knight/director, Duncan Gillis/Head of Landscapes
Scenic Artist for Netflix Wendell and Wild Henry Selick/director, Elecia Beebe/Charge Artist

FREELANCE SCENIC ARTIST Bay Area, Los Angeles, Sacramento, Portland 2015-2022

Portland State University Opera Merry Wives of Windsor 2022
B Street Theatre Going West Buck Busfield/director, Sam Reno/designer 2018
USC Mockingbird Andi Chapman/director, Stephanie Nimick/charge artist 2016
Hudson Scenic Lion King Gazelle Tour Peter Eastman/assoc. designer, Polly Wood-Holland/charge artist B Street Theatre Going West Buck Busfield/director, Sam Reno/designer

San Jose Opera Marriage of Figaro Steven C. Kemp/scenic designer, Renee Jankowski/charge artist
Douglas Morrisson Theater Love’s Labour’s Lost Lisa Tromovitch/director, Martin Flynn/scenic designer
Contra Costa Civic Theatre The Secret Garden Roger Welch/director, Anya Kazimierski/charge artist
Theater First The Seafarer Michael Storm/director and designer
Encore Theatre Company Cabaret James Faerron/artistic director
Bay Area Children’s Theatre Chitty Chitty Bang Bang Karen Altree Piemme/director, Martin Flynn/scenic designer

GLIMMERGLASS FESTIVAL SCENIC ARTIST July-August, 2016

The Crucible Francesca Zambello/director, Neil Patel/scenic designer
The Thieving Magpie Peter Kazaras/director, Myung Hee Cho/scenic designer
Sweeney Todd Christopher Alden/director, Andrew Holland/scenic designer
La Bohème E. Loren Meeker/director, Kevin Depinet/scenic designer

BERKELEY REPERTORY THEATRE FELLOWSHIP 2015-2016

Treasure Island Mary Zimmerman/director, Todd Rosenthal/scenic designer
Macbeth Daniel Sullivan/director, Douglas Schmidt/scenic designer
Aubergine Tony Taccone/director, Wilson Chin/scenic designer
Disgraced Kimberly Senior/director, John Lee Beatty/scenic designer
Hypocrites’ Pirates of Penzance Sean Graney/director, Tom Burch/scenic designer
Amélie Pam MacKinnon/director, David Zinn/scenic designer

CHARGE ARTIST AT UNIVERSITY OF WISCONSIN-MADSION School of Music/ Dept. of Theatre and Drama 2012-2015

The Magic Flute David Ronis/director, Jen Trieloff/scenic designer
Albert Herring D. Ronis/director, S. Hudson-Mairet/scenic designer
Greater Tuna Jim Stauffer/director, Seth Campbell/scenic designer
The Hound of the Baskervilles David Furumoto/director, Dana Fralick/scenic designer
Wondrous Tales of Old Japan II David Furumoto/director, Jim Vogel/scenic designer
Woyzeck Kristin Hunt/director, Leigh Henderson/scenic designer
The Cradle Will Rock Norma Saldivar/director, Niffer Reider/scenic designer

SKILLS

• Layout
• Surface prep
• Cartooning
• Color mixing
• Color matching
• Finishing
• Toning
• Texturing
• Aging
• Trompe-l’oeil
• Gold leaf
• Transparent drops
• Wood grain
• Dye
• Shellac
• Illusion of rusted metal on plywood
• Stenciling
• Anaglypta application
• Faux marble
• Interpreting elevations
• Creating samples
• Sign lettering
• Budgeting

REFERENCES

• Elecia Beebe, Scenic Charge at Netflix "Wendell & Wild", beebeherenow@gmail.com
• Lisa Lazar, Scenic Charge at the Berkeley Repertory Theatre, llazar@berkeleyrep.org
• Stephanie Nimick, Scenic Charge at Glimmerglass Opera, stephanienimick@gmail.com
• Robert Wagner, Scene Shop Supervisor, UW-Madison, rwagner4@wisc.edu